Twenty years to the day after the London date of the Kapital tour, Alexei Monroe will discuss Laibach’s most complex album and this memorable London performance.
Laibach's use of Slovene cultural imagery is well-known, yet this was always balanced and contradicted by a simultaneous and extensive use of Yugoslav references. Even as it asserted Slovene culture in the most spectacular form yet seen it retained an ambivalent relationship with its Yugoslav context.
What is the best approach to exploring what Laibach, Irwin and the NSK State represent? Fundamentally the work of all NSK groups represents an artistic and also cultural response to the imposed violence of ideology, culture and theory. This perception of violence is present most acutely in Laibach's initial reprocessing of language and ideology and to see how the machine operates it's necessary to return to these traumatic roots.