The NSK State Pavilion at the 57th Venice Biennale takes an unexpected and brave step, locating the NSK State in Time project in cultural-political context, taking responsibility for the resources IRWIN and other components of NSK have mobilised over the past years and giving response to some of the problematic aspects of the project.
In what might be their first state-wide call-up since the Congress in 2010, Irwin is now soliciting a straight up or down vote on Apology for Modernity, the central document to their NSK State Pavilion in Venice this year.
NSK Diplomat, Congressman and Timekeeper Avi Pitchon responds in IRWIN’s referendum regarding “An Apology for Modernity”, presented at the NSK State’s Venice Pavilion.
With this letter we are contacting a wider body of NSK citizens, as we would like to address as many NSK citizens as possible. We are asking for your help in order to construct a majority view upon the position on refugees in relation to the state as it is taken in the text "Apology for Modernity".
The NSK State-in-Time Pavilion, alongside an event that is defined by cultural ambitions, provides the unique opportunity to rethink what a contemporary state should be. In particular, NSK State-in-Time offers an open form of citizenship that contrasts markedly with the spatial states.
“NSK State Art: New York, The Impossible Return” is the first United States presentation of the long-term NSK State Art Project, which was originally initiated by the group IRWIN. The project also presents the Retrogarde Reading Room for the first time in New York.
